Assignment 5: Writer Bio

Three bios: the first adheres (ish) to the “30 words or fewer” guideline in the assignment; the second is ever-so-slightly longer. The third is the bio for this blog (copied and pasted below) – much longer and in first person, and not something that would be published, but as it’s what an editor might see if she followed, say, a link to my blog in a pitch, it’s perhaps relevant to the assignment anyhow.

So in various manifestations, here I am:

1.
Miranda Ward is mostly a writer but also an expat, a geek, and a sporadic but enthusiastic runner. She grew up in California and currently lives in Oxford, where she is working on her first book. Find her at A Literal Girl or email her: miranda.ward@gmail.com.

2.
Miranda Ward is mostly a writer but also an expat, a geek, and a sporadic but enthusiastic runner. She grew up on a working cattle ranch in California; currently she lives with her partner in Oxford, where she spends a lot of time at the pub. She is working on her first book, having earned an MA in creative writing. Find her at A Literal Girl or email her at miranda.ward@gmail.com.

3.

I’m Miranda Ward. I’m a writer and an expat. This is my MatadorU blog, where I put assignments and related posts. I have another blog, too. It’s a bit more plural.

Here’s some stuff for you:

A man called Gotthold Ephraim Lessing said, “Let us be lazy in everything, except in loving and drinking, except in being lazy.”

I’m really very good at that.

I like words. Sometimes I like words too well. I own a lot of books. Once I had to ship them across the Atlantic and it cost me more money than I care to admit, but taking them with me was not, is never, optional.

I like the travel state of mind. I do not ever want to forget what it’s like to notice things. I’m interested in place: geography of the mind, borders and boundaries, the flâneur, the incorrigible wanderer.

I like cheese and a good cider (Luckily I also like to run). I wear leather shoes, mostly, though I also have a soft spot for converse and good hunter green wellies. I wish men wore hats still and women comported themselves with the grace of 1930s film stars. I however have no grace of my own and often trip over my own feet.

I like to watch a stormy sea, climb a grassy hill, and to stand under the lamplight in cities. When I was little I lived on a ranch and I would look out at the Pacific and pretend that the oilrigs were actually the ships of great explorers winding their way around the globe, or else that they were pirates on the horizon. Then I lived in an east coast city where I wandered for hours like Walter Benjamin or Baudelaire, making notes of how things are.

Now I live with my partner in Oxford, where I’m working on my first book, often out of my local pub, which has free wifi.

I’m a bit of a geek and I believe in the power and necessity of the internet.

I don’t however believe in work. Not as such. Instead I agree with this (it’s a Steve Jobs quote): “I don’t think of my life as a career…I do stuff. I respond to stuff. That’s not a career — it’s a life!” So yes: I do stuff and I respond to stuff and that’s the only way I could ever really be.

Thanks for reading and commenting and contributing and for emailing me at miranda.ward@gmail.com, if you feel so inclined.

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Fez Revisited [Personal Essay]

I.

The day starts with a call to prayer. On the edge of morning I lie awake; in the night we have cast aside our blankets, and now we are naked atop the bed, sweating, unmoving. Through the open window I can see the Merenid Tombs.

Photo by Miranda Ward

Photo by Miranda Ward

From here they look tiny, but I have stood at their base, I know their true size.

Beside me he sleeps soundly. He snores. In the morning I will tell him this and he will say, you snore too, you know. (No, I didn’t know.) It’s a conversation we’ve had a hundred times before. And never mind the grandeur of our surroundings, never mind that we’re in Africa, in Fez. We’ll have the same mundane moments we have everywhere else.

And then: this voice. Allahu Akbar. Breaking the dawn. Allahu Akbar. The first word drawn out, lonely. The intimacy is surprising; it’s as if it’s coming from inside the room. Then it’s joined by others; a chorus, off-kilter. The whole city sings. There are men in mosques right now bent in devotion to their God. And we sleep on, or pretend to sleep on, and eventually, just as the colour of the day is seeping into the horizon, the voices cease, and I dream of the way the Hymnus Eucharisticus rings out from the tower at Magdalen College on May morning.

II.

This is our city. I think this as morning clouds burn off and a waiter delivers my sweet mint tea to the rooftop terrace. It’s irrational and untrue. But just for a moment, watching the bustle below, smelling the white smoke wafting from a small nearby chimney, I am profoundly attached to Fez.

Three years ago we came to this same café and sat just as we sit today. He made a sketch of a lamp. It took him nearly two hours to complete; I mostly watched him, occasionally making notes of my own, envying his visual instinct; everything I recorded had to be in words, which are clumsy in a place like this, where beauty is paramount, where the sensual, not the cerebral, is what strikes you. We stayed for so long that the proprietor, smoking some kif in the corner, came over and offered us a puff. It was my first time in Africa; I did not know how to say no to anything. So we said shokran and then swam back to our hotel room through a haze of fauvist colours.

Photo by Miranda Ward

Photo by Miranda Ward

Three years ago we had just met. We were a month into our relationship. Our future – he being from Oxford, me being from California – seemed only a cloud through which we could not even imagine passing. But here, in a grubby hotel room in the medina, the exoticism was a catalyst, and we evolved from lovers into something else.

We held hands shyly as we explored; we learned the smell of each other’s sweat, the intimacy of shared anxieties and happinesses. We spent our days walking imperfect circles, coming across sudden palaces, half-decayed, women scrubbing the rot of orange blossoms from the zellij tiles. We never quite knew where we were and we never once felt lost.

Today the air is cooler. There are cats on the rooftop, mean, skinny strays moving towards us in a hungry phalanx. We can see the blues and greens of Bab Boujloud up close; earlier I learned that it was only built in 1913, though to my untrained eyes it looks older. Like it’s been here forever. Since the first call to prayer, the first dawn cracking like an egg over this city.

III.

It’s different this time.

We’re staying with friends. Ali is from Fez, Alice is from England. They live in a house in the medina that they bought together and renovated. Three years ago we had tea on the rooftop with them. The house was still nothing but a construction site; they were sleeping under a tarpaulin, heating their water on a cooking stove. Their dogs, Sophie and Bobby, sat at our feet as Ali showed us how to make mint tea. It was a windy evening and the dust got in our eyes and they tried to tell us how beautiful this would all be when it was done.

Photo by Miranda Ward

Photo by Miranda Ward

And now it is done; and it is beautiful, and in the tiled kitchen we prepare meals and eat olives, our fingers wet with juice, and stay up late. Alice introduces us to her friends – other expats, brothers-in-law, students at the school where she is learning classical Arabic. I remember that the city which I have thought of as ours is, in fact, theirs too; everybody has a Fez, a mental map of the medina based not on street names but experience.

But it is also different because three years of living together has made it so. We are no longer getting to know each other in such an active way. It is sometimes almost like travelling with myself. He knows, now, that I like to wash my hands more than strictly necessary, and I know without thinking about it that he will smoke almost twice as much here. There is nothing really to hide, or reveal.

And this is such a sweet thing, but also lonely – suddenly here we, this one thing that is a “we” but also an “I”, are, in a foreign country. Perhaps this is why I wake so often in the night here – for, in spite of him being beside me, smelling and feeling more familiar than anything, than even myself, I have a sense of being also alone. And perhaps also this is why people have children – I have this thought just before an afternoon nap one day: that at a certain point you become so close that you almost need someone else – who will be like him and like you but different and constantly, forever, surprising – again. Is that a strange thing to think? But then, everything is strange here.

IV.

Even the passing of time is strange here. I forget how quickly the medina eats away the hours of a day. First it is morning, and then suddenly we are looking at the stars again.

The sun has sunk. We’re all on the terrace, even the dogs, in raptures over the blessed coolness of the air. After everyone else has gone to bed I get my camera out and take some photographs of a minaret near the house, bright green in the moonlight. Even the darkness here is characterized by light. The religious symbolism of this does not entirely escape me – at a christening a few weeks ago, we were asked to help the baby walk always in light – but I find it difficult to articulate it precisely. It is like this: even at night the minarets seem to be illuminated, whether or not they actually are. The one near Ali and Alice’s house is abandoned and silent, but still it shines.

Photo by Miranda Ward

Photo by Miranda Ward

I don’t mean magic exactly. (Though at dinner, Ali tells us of the magic in Fez, and I cannot help but trust him – he’s from here, he knows, his confidence is contagious). I mean that we see the minarets, the city itself, bathed always in light, even at the cold hour of midnight. Awoken at five by the resounding calls to prayer, the day seems already to have begun, even if the sun has not yet lifted its hot, heavy self over the Eastern horizon. We are alone but not alone.

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Lost and Found in Fez [Destination Piece]

Photo by Miranda Ward

Photo by Miranda Ward

“And also, in the dark, are the djinns,” Ali tells us. He passes me a chunk of flatbread. We’re on his rooftop in Fez, eating Moroccan style out of a tagine. The minarets and satellite dishes of Fés el Bali, the old city, stand proud in the hot night. The final call to prayer has already sounded; somewhere a child laughs, a cat screams, a donkey shifts its weight.

Ali, a native Fassi, lives here in the medina with his English wife Alice. She is fluent in Arabic, feels this to be her home even though her blonde hair and Church of England heritage set her apart.

But this is like Fez itself. It’s a place rooted in paradox; it’s always two things at once. Conflicting ideas coexist – Ali speaks of a darkness infused with evil spirits, but also of a good magic. He’s as enchanted by his own city as any visitor.

Today, an estimated quarter of Fez’s 800,000 residents live in the ancient medina-city of Fés el Bali. In the early 20th century, the French Resident-General Lyautey oversaw the transfer of many of Fez’s economic and political functions to the coastal cities and declared Fés el Bali an historical monument. Fez lost the chance to become a contemporary center of commerce and civic activity, but its medieval heart was guarded against upheaval, so that in many ways it now seems suspended in time.

Like the rest of Morocco, Fez maintains a strong but respectful adherence to Islam. Religion seems to be everywhere and nowhere. You breathe it in at night; it seeps into your ears with each adhan, and yet it feels such an organic substance, as if were part of the molecules of the air, that it is often easy to forget the foreignness of things.

Photo by Miranda Ward

Photo by Miranda Ward

Indeed, Fez is more a state of mind than a traditional tourist destination. The main attractions are not architectural or historical but sensual. From Bab Boujloud, the majestic blue-green gate built in 1913 as an entrance to the old city, run two streets – Talaa Kebira and Talaa Sghira. Choosing either leads you deep into a world that smells of dust, donkey excrement, chickens waiting to be slain, rich herbs and spices; you’ll pass ruined palaces, refurbished riads, be asked a thousand times where you’re from, if you need directions, if you’d like to view the goods in a shop, or take a meal at a restaurant.

What are you looking for? The Fassis often want to know, as you swim through a sea of rainbow-colored rugs, glass jars, pottery, bronze instruments, yellow leather slippers. But looking for anything in particular is mostly futile. The medina feels like uncharted territory; a good map of the area is hard to come by (the best is the “Bab to Bab” map in Café Clock, off Talaa Kebira), and even harder to follow.

Photo by Miranda Ward

Photo by Miranda Ward

There are some experiences worth seeking out – a visit to the famous leather tanneries, near the Karaouine Mosque, where men stand thigh-deep in vats of coloured dye, tanning the animal hides which have been softened with ammonia and pigeon shit, is one. But just as captivating are the unexpected encounters with the city. Nursing a mint tea in the Place en Nejjarin (carpenter’s square) can be as fruitful as perusing the nearby Museum of Wooden Arts and Crafts. The medina is a UNESCO World Heritage site, and you do get the sense that it is a living museum; strolling down an alleyway, dodging the ubiquitous stray cats, you may find yourself invited to view an old building, or to watch a man at a loom weaving a silk blanket.

***

One evening, Alice takes me to her local hammam. This is where the women come to gossip and unwind; it can get crowded and catty, Alice tells me, but it’s a pivotal part of the community. Its entrance is discreet, masking the simple grandeur of the archways and sloped white ceilings inside.

I sit on the hot tiled floor while an old woman, her hair wrapped in a scarf to keep it from her face, scrubs me vigorously. We do not speak the same language, but when she wrenches me round so she can scrub my front, and holds my arm up with a smile and says tsk to indicate how much dirt she has brought to the surface, we are in the same moment, inhabiting the same world. Maybe later I will pass her on the street, I think, but will not know it – she shrouded by a hijab, me pale-skinned and wide-eyed like every other tourist, each of us indistinguishable in spite of that moment of intimacy.

Photo by Miranda Ward

Photo by Miranda Ward

A week here has made me feel that Fez is both familiar and not-familiar. As I am with this woman, this woman who has seen me naked, vulnerable without any Arabic, I am with the city: a stranger, an old friend. Everything moves quickly and slowly at the same time; I know secrets even while so much of the place is a mystery.
There is magic here, Ali says. And I know it to be true. I have seen whole hours erased by the medina; you are carried by the wind, driven by the whims of your own nostrils or the way the light strikes a building. Perhaps, I think, the whole point of being in Fez is to get lost.

But then, like everything else, it’s not so simple. For in the medina, you are both always lost and always found.

THE BASICS

Getting There
Ryanair (www.ryanair.com) flies direct from London Stansted to Fez from £72 return. Taxis from the airport to the medina have a fixed price of 120dh. An even cheaper option is to take the #16 bus to the train station in the Ville Nouvelle (25 minutes, departs approximately every half-hour), and then a metered petit taxi to Bab Boujeloud.

Where To Stay
There are plenty of clean, cheap options for budget travelers wanting to stay in the medina, particularly near Bab Boujeloud. Hotel Cascade (26 Rue Serajine, 035 63 84 42) is a backpackers’ favourite, with small but comfortable rooms, hot showers, and a rooftop terrace where you can sleep (rooms 100-150dh). Nearby, Dar Bouanania (21 Derb ben Salem, off Talaa Kebira, 035 63 72) offers rooms arranged around a pretty courtyard (rooms 200-300dh).

For a touch of luxury, try one of the medina’s many riads. La Maison Bleue (2 Pl de l’Istiqlal, www.maisonbleue.com. 035 74 18 43) is one of the oldest and best, located opposite the Batha Museum and featuring an excellent, if pricy, restaurant (rooms from 1500dh). Or splash out on a palace suite at the Sofitel Palais Jamaï (near Bab Guissa, 035 63 43 31), one of Morocco’s most famous and luxurious hotels, with stunning views of the medina and a large pool (rooms from 1500dh, palace suites from 6000dh).

Where To Eat
For cheap and tasty meals near Bab Boujeloud, try Restaurant des Jeunes on the square or Restaurant Kasbah, which features two beautiful terraces. Off Talaa Kebira (7 Derb el-Margana) is Café Clock, popular with expats and tourists alike for its food, terrace views, free wifi, cultural evenings, and Moroccan cooking classes. In the quiet Ziat area, Fes et Jestes (39 Arsat El Hamoumi, www.fes-et-gestes.ma) is an excellent and affordable restaurant and tea room with particularly appealing gardens.

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My Hometown in 500 Words

Photo by Miranda Ward

Photo by Miranda Ward

The rats are in the walls again. I can hear them at night; the rhythms of their feet permeate my dreams.

In the morning we discuss what’s to be done about it. I point out that at least they’re not in the cars, eating the wires, as they’ve been known to do before. My father is fed up with setting traps and catching nothing; my mother is reluctant to let her morning be ruled by rodents.

He says, “Maybe they’ll like crunchy peanut butter better than smooth peanut butter.”
She says, “I don’t know, I can’t talk about this until I’ve had some coffee.”
So we put the kettle on again.

It’s the start of one of those blue midsummer days. The hills are parched and golden. There’s been no rain for months, and everything smells sweet and burnt. Maybe there’s ash in the air from a wildfire somewhere up north. But here the sky is still and clear. This is where the northern California ecosystem meets the southern California ecosystem, where rare things are in abundance – endangered species, intertidal areas, migrating birds.

I’m home after a long period away. I’d forgotten about the beauty here – its hypnotic properties, its ability to fuel endless daydreams.

The counterpoint is the isolation. At midday, tired of listening to nothing but the bees in the macadamia orchard, I decide to make the 45-minute long trip into town.

“I’ll get more peanut butter for the rat traps,” I say.

The main road mirrors the coastline, which curves in such a way that means the ocean is to the south, not the west. Several times I have to honk at a group of cattle standing in the road; they scatter and run for the hillsides. Looking west, I can see Point Conception – traditionally an opening into the celestial world. The Chumash called it Humqaq, the Western Gate; now it’s forbidden territory still, part of Vandenberg Air Force Base.

Ten minutes into my journey, something – a movement, a sound – captures my attention, and I turn to find a rat on the passenger seat. I pull over. It inches towards me so I get out of the car and open the doors.

A car approaches from the other direction. Inside is Josh, a legendary surfer I’ve known for years. He pulls over. He has surfboards stacked in the bed of his truck and I can smell the coconut of the wax.

“Are you okay?” he says.
“Fine,” I say. “It’s just that there’s a rat in my car, and I’m waiting for it to leave.”
He smiles.
“Ah, you’ll be fine then,” he says. “You’re a ranch girl.”
And he drives away, and as he does the rat leaps out, and I can continue my journey.

Later, in the pure dark you get in a place that has never known streetlights, I lie awake listening to the urgent movements of the rats in the walls. But it’s as Josh says – I’ll be fine, I’m a ranch girl.

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An Abstract Guide to Assimilation: How to Make a Home in a Foreign Country (REVISED)

It’s not always easy to adapt to life in a foreign country. Differences in culture, language, geography, and history can make the experience intensely lonely, though the rewards are sweet. Because the transition is mostly mental, here are 5 abstract but proven tips to help you on the way to feeling fully assimilated, wherever you may have chosen to settle:

1. Answer one question first: “Why am I here?”

Start by asking yourself this: Why am I here? What drove me – or pulled me- to this place? The answers may be disarmingly simple. Maybe it was a story that inspired your move, maybe you want to set up an ordinary life abroad – to wake up, go to work, meet friends for a drink, buy toothpaste on the way home – or maybe you want to affect some change. The reasons themselves don’t matter. What matters is that you have some private understanding of why you want to be here, in this situation. When know that, you can start to let yourself feel comfortable in your new surroundings.

2. Don’t compare

It can be valuable to investigate the differences (and similarities!) between where you’re from and where you are. In a way, it’s irresistible. It’s part of why it’s so compelling to travel and to live abroad. But you cannot do it constantly, or you will never be able to look at where you are as a home.

The problem comes when the language of comparison is the only one we use to describe where we are. Sometimes the most important thing to do is this: put down your travel writer’s pen, rest your probing eyes, forget for a while to speak. Allow yourself to simply be here. Look up at the sky, the new, different sky, and see it just as it is: wide, littered with clouds and stars. Have coffee in a square and consider that this is just a coffee, this is just a square, this is just a little table from which I can see things happen. Run yourself a bath. These are your taps now; never mind that where you’re from, they’d be different. Let banalities, not revelations, rule your day.

3. Learn to become intimate with places, not just people

We tend to think of relationships in human terms, but we relate to places in much the same way, and by choosing to live abroad, we’re making a commitment to explore and understand our new home.

To cultivate the relationship, you’ll want to spend a lot of time walking and watching. Become a flâneur, a kind of wanderer or loiterer. Take the writer Edmund White’s advice. In a book on Paris, White writes that, “He (or she) is…in search of a private moment, not a lesson…it is the private Proustian touchstone – the madeleine, the tilting paving stone – that the flâneur is tracking down.” This sort of quest for something intensely personal, something real to hold on to, is what will make you feel intimate with your new surroundings.

4. Break bread

A relationship with the place you live is important, but it’s not enough to nourish the expat for long. To feel settled, you’ll also need to develop meaningful human relationships. The best way to do this is to eat with people – friends, lovers, co-workers, acquaintances. Invite them to dine at your place; accept  invitations to dine at theirs. Act graciously – cook your favorite recipe, or bring a bottle of wine or a special treat to thank your hosts.

The ritual of a shared meal is your lifeline in more than one way. We need to sustain ourselves not just on food but on company, and the intimacy of cooking, eating, and cleaning will bring you closer to the people in your life. Rooting yourself in a community will ultimately make the difference between feeling adrift and at home.

5. But after all that, don’t forget where you come from

The most important thing, in the end, is to be yourself. The narrator of Javiar Marias’ All Souls, a portrait of a foreigner in Oxford, marvels at one point that, “there’s no one here who knew me as a…child.” This is the great truth of living abroad. It’s lonely living somewhere that has no memory of you, and it’s also deliciously liberating. For me that’s part of the fun – the sense of freedom, the ability to reinvent myself.

But you cannot be an island. Even as you feel yourself becoming a part of the landscape, a local, someone who belongs – never forget where you’re from. Never forget that there’s a place where people did know you as a child. Adapting to a new place is not about erasing yourself. It’s about building upon what’s already there. Your funny accent, your behavioral quirks, your cultural history – it’s all part of the process.

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An Oxford Love Story

Photo by Miranda Ward

Photo by Miranda Ward

See, my son

time here turns into space

- Richard Wagner, Parsifal (1882)

Almost three years on, and every morning starts with a sleepy intimacy. The warmth of skin on skin is comforting when it’s so cold outside, and even in early May the house has a chill.

Today is a grey day, with a wind that buffets the rubbish bins and presses against the sash windows. I drink tea in my study, overlooking the garden. It’s our own English jungle, unkempt, the washing line and the compost bucket obscured by weeds and trees.

The first time I saw this house it was the same – always this wildness. He took me here in the dark of a late May night. I say ‘took me’ – but I went, I went willingly. On my first day in Oxford I got into a taxi with a man I’d just met and let him say the address of this house and as we passed through the city I closed my eyes and we moved fast.

Nowadays I cycle to the office. It’s is the best part of work, crossing Magdalen Bridge on my old Dutch bicycle, with the tower shimmering and the bells ringing. This morning as I start up the High Street the sky is clearing, the wind carrying the clouds away though it’s still cold.

The day I arrived was cloudless and hot. The first really glorious day of the season, I’d heard someone saying, so I went for a long walk. In Christ Church Meadow, amongst girls in sundresses and boys in shorts, I felt free. For a moment I became someone with no past and no future, no childhood, no family. No knowledge. Time slid away from me and I was alone with the city.

The same city now makes a mockery of my attempts to work, while the hour hand makes slow turns around the clock. The sun comes and goes, the wind smells sweet, the children at the primary school nearby are laughing. Late in the afternoon I emerge from a meeting and on a whim I go into a shop and buy three summer dresses. Soon I’ll be able to wear them; soon he and I will sit in our wild garden and watch the summer stars come out.

On my way to meet a friend for dinner, I run into him outside a pub. Our days are like this sometimes – full of shared but disconnected moments. I sit astride my bike and he gives me a kiss, says, “See you later, my love.” I’m somebody’s love. Here, in the street outside this pub, I’m somebody’s love.

We met at a pub, an old tucked-away tavern, with low ceilings and strong cider. There I turned to him and we spoke for the first time.

“Do you have a cigarette?” I said. He did, and he lit it for me, and that was it.

Hours later we wound up at a dingy bar off the High Street, where we have never since been, where I kissed him, or he kissed me, and in that moment of kissing, the freedom I had felt in Christ Church Meadow earlier was lost forever, but in its place was something better, something stronger.  No longer was I untied to this place, history-less, loveless, separate, alone.

I talk to my friend about what it’s like to be here. She’s Australian, knows how it is to have a family 5,000 miles away. After dinner we eat ice cream at the top of the steps of the Martyr’s Memorial. We watch a middle-aged couple kissing. The man reaches forward and squeezes her breast; the woman slides her hand into his pocket.

On my way home I pause on Broad Street to adjust the lights on my bicycle. A group of students pass. They’re American and full of an infectious sort of energy. One of them dances in the middle of the street, her arms in the air. Their demeanor makes no sense; it is so disproportionately merry for this drab Tuesday evening. I pull my scarf tighter around my neck. There’s something in my chest, a funny sort of almost-envy; I look at them and I think, I was like that, I’ve been there.

I remember thinking, as I woke in a strange bed the next morning, that something was happening, something I was powerless to predict or prevent – but then I forgot it, let it happen, because the way he offered me his phone number, the way he kissed me just before I got on my first Oxford bus, took my first trip as someone who belonged here, overshadowed everything else.

I watch the carefree Americans. The dancing girl has grabbed a boy’s hands; now they are waltzing past the grim little newsagent, past the dark shop windows and away from me. They do not even see me. Is that what happens here, after a time? We who were once golden fade into the golden walls, fated to watch a new bloom of youths bounding their way through the last weeks of spring. It is a nostalgic city, after all. What was it that Jan Morris wrote? “In recollection every Oxford summer day is warm, bright and sunlit, like the pictures of Oxford on the old postcards.”

But then, there’s this: when I get home he’s there. I undress and we lie together under the duvet, with the bedroom window open so that we can smell the night air, hear the shouts as the last drunks stagger home. And in the morning we will wake to discover our limbs tangled and we will stay too long in bed because it is just so sweet.

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5 (Paying) Travel Writing Markets

1. The Guardian

One of the UK’s leading newspapers, with both an online and in-print travel section. Submit by pitch.

Travel Editors: Joanne O’Connor (online), Andy Pietrasik (print) // Email travel@gaurdian.co.uk (online), travel.editor@guardianunlimited.co.uk (print)

2. Verge Magazine

Verge is “the magazine for people who travel with purpose. It explores ways to get out and see the world by volunteering, working and studying overseas. Our readers are typically young (17-40 yrs)”.

Verge will respond to successful queries within 8 weeks. Submit either a completed manuscript or a detailed query outlining your idea. Manuscripts may be submitted via email as a Microsoft Word document; queries should be pasted into the body of the email. First time contributors are paid a rate of $0.10 (CAD) per word.

Send submissions and/or queries to: contributing@vergemagazine.ca

3. World Hum

World Hum publishes a variety of travel features. To contribute, paste your submission or a pitch, as well as a short bio, directly into the body of your email. In the subject line of the email, include the section of the site you wish to contribute to. Submissions should not be more than 1,500 words. No multiple submissions.

Writing submissions should be no more than 1,500 words. Do not send multiple submissions. Include the section of the site you want to contribute to in the subject line of your email.”

Senior editor: Eva Holland // Email: dispatches@worldhum.com

Payment varies. World Hum may not be able to respond individually to every submission.

4. The Christian Science Monitor

The Christian Science Monitor’s “Home Forum” is looking for upbeat, personal essays from 400 to 800 words. The editors say: “These are first-person, nonfiction explorations of how you responded to a place, a person, a situation, an event, or happenings in everyday life. Tell a story; share a funny true tale. The humor should be gentle…We are always looking for essays on travel.”

Editors: Susan Leach and Marjorie Kehe // Email address for queries and submissions: The Home Forum

All material must be original and previously unpublished. Do not e-mail the section’s editors directly. They will not respond to individual submissions but will contact you within 3 weeks if they plan to use your essay. Include your contact information (e-mail address, daytime telephone, mailing address) and a word count with your submission.

5. Salon

Not a travel publication, but still a possible market for broader topics, Salon, “the award-winning online news and entertainment Web site, combines original investigative stories, breaking news, provocative personal essays and highly respected criticism”.

Submit via articles and story pitches via email, with the text of the query or article in the body of the email and “EDITORIAL SUBMISSIONS” in the subject line. Also include a brief bio, with “your experience and background as a writer and qualifications for writing a particular story. If you have clips you can send us via e-mail, or Web addresses of pages that contain your work, please send us a representative sampling.” Response time is about three weeks, though Salon cannot always respond to all queries.

Send submissions to the relevant editor; for instance, queries for the Life section should be directed to: life@salon.com

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An Abstract Guide to Assimilation: How to Make a Home in a Foreign Country

It’s not always easy to adapt to life in a foreign country. Differences in culture, language, geography, and history can make the experience intensely lonely, though the rewards are sweet. Because the transition is mostly mental, here are 5 abstract but proven tips to help you on the way to feeling fully assimilated, wherever you may have chosen to settle:

1. Answer one question first: “Why am I here?”

Ask yourself this: Why am I here? What drove me – or pulled me- to this place? What do I hope to achieve? The answers may be disarmingly simple – perhaps you read a story about a far-off city long ago, and ever after aspired to live there. Maybe you just want to set up an ordinary life abroad – to wake up, go to work, meet friends for a drink, buy toothpaste on the way home – or maybe you want to affect some change. The reasons themselves don’t matter. What matters is that you have some private understanding of why you want to be here, in this situation. When you start to know that, you start to become able to let yourself feel comfortable in your new surroundings.

2. Don’t compare

Don’t spend all of your time analyzing the differences between where you’re from and where you are. Accept this at the outset: there are differences. Probably they will be vast, and many, and they will overwhelm you, and they will be all you can think about. Your dreams and memories will become confused. There will also be overlaps that you didn’t expect, and these too will become an obsession.

And it is, after all, valuable to investigate those differences, and those similarities. It’s irresistible. It’s part of why we do this, often, part of why it’s so compelling to travel and to live abroad. But you cannot do it constantly, or you will never be able to look at where you are as a home.

The problem comes when the language of comparison is the only one we use to describe where we are. Sometimes the most important thing to do is this: put down your travel writer’s pen, rest your probing eyes, forget for a while to speak. Allow yourself to simply be here. Look up at the sky, the new, different sky, and see it just as it is: wide, littered with clouds and stars. Have coffee in a square and consider that this is just a coffee, this is just a square, this is just a little table from which I can see things happen. Run yourself a bath. These are your taps now; never mind that where you’re from, they’d be different. Let yourself be ruled for a day by banalities, not revelations.

3. Learn to become intimate with places, not just people

We tend to think of relationships in human terms – we have friendships and partnerships with other people – but we relate to places in much the same way.

In order to cultivate a relationship with your adopted home, you’ll need to walk and to watch. Become a flâneur, a kind of loiterer, a wanderer. In a book on Paris, Edmund White writes that, “He (or she) is…in search of a private moment, not a lesson…it is the private Proustian touchstone – the madeleine, the tilting paving stone – that the flâneur is tracking down.” In order to adapt to your new surroundings, you’ll need this sort of quest for something intensely personal, something real to hold on to.

4. Break bread

Eat with people – friends, lovers, co-workers, just a few smiling faces from the pub. Invite them to dine at your place; accept  invitations to dine at theirs. Act graciously – cook your favourite recipe, or bring a bottle of wine or a special treat to thank your hosts. This ritual of a shared meal is your lifeline in more than one way. We need to sustain ourselves not just on food but on company, and the intimacy of cooking, eating, and cleaning will bring you closer to the people in your life. Rooting yourself in a community will ultimately make the difference between feeling adrift and at home.

5. But after all that, don’t forget where you come from

The narrator of Javiar Marias’ All Souls, a portrait of a foreigner in Oxford, marvels at one point that, “there’s no one here who knew me as a…child.” This is the great truth of living abroad. It’s lonely living somewhere that has no memory of you, and it’s also deliciously liberating. For me that’s part of the fun – the sense of freedom, the ability to reinvent myself.

But you cannot be an island. Even as you feel yourself becoming a part of the landscape, a local, someone who belongs – never forget where you’re from. Never forget that there’s a place where people did know you as a child. Adapting to a new place is not about erasing yourself. It’s about building upon what’s already there. Your funny accent, your behavioral quirks, your cultural history – it’s all part of the process.

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This Is How We Begin

I’ll take you on a journey.

The Ranch

It starts here, at my childhood home. Where I’m from is a funny little place. It’s a ranch, all cowboys and surfers and miles of open country that runs into the Pacific. At the extreme of a westward curve on the California coastline is Point Conception, what the Chumash call Humqaq, “the raven comes”, the Western Gate. There’s an air force base nearby and early in the morning, maybe once a year, you might feel the earth shaking as a shuttle is launched into space.

But if you’re a kid growing up somewhere like that, somewhere so isolated, so beautiful, you start to think a lot about geography. You start to think that if your own backyard is this big, then imagine what it’s like to travel somewhere really far away. Maybe at the time you have no appreciation for the ranch, or at least no real appreciation, and maybe it starts to feel too familiar.

So go east. Go east to the blue of the Charles River and the red of the October leaves on Boston’s narrow streets. That’s four years of winters so cold it hurts to breath, summers so hot it hurts to move. But it’s different. There are political rallies, shopping sprees, college lectures, late nights, cafés that never close, bars that never ask for ID.

Government Center, Boston

But what was it Baudelaire wrote? Something like, “Do you know that fever which grips us in moments of chill distress, that nostalgia for a land we have never seen, that anguish of curiosity?” There’s a real nostalgia for a place you’ve never been all right.

So keep going east. This time stop in Oxford because for whatever reason you’ve always been haunted by it, even if you didn’t always know it. Is it validation or fate or just lucky that the first night you’re there you meet someone to fall in love with? Oh, I know it sounds unlikely, but that’s how it goes. And then stay there for awhile.

That’s me, anyway. I’ve been to some extraordinary places. I’ve been in Fés and Nairobi and Paris and New York; and in love and in despair; and in broken boots miles from anywhere, and in luck. My parents like to tell this story about me when I was about five. They were talking, in a vague, adult way, about the possibility of taking a trip next summer. But I heard “trip” and I disappeared from the room and when I reappeared moments later, I was lugging a suitcase that I could have easily climbed into and I said, “well, I’m ready!”

Still so very many places unseen. The anguish of curiosity. But also, in the meantime, isn’t the space in between interesting? Isn’t it amazing how you can adapt suddenly to a place you aren’t from–or  how you can walk to the corner shop for some milk and feel irrevocably, irrationally in love with your dusty East Oxford home? Yes, I think it is.

The Bodleian, Oxford

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